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To: <framers@xxxxxxxxx>, "Framers List" <framers@xxxxxxxxxxxxxx>, "Aust Techwriters" <austechwriter@xxxxxxxxxxx>
Subject: Final word on copyright?
From: "Michael Lewis" <mlewis@xxxxxxxxxxxxxx>
Date: Wed, 13 Feb 2002 21:00:02 +1100
Importance: Normal
Reply-To: <mlewis@xxxxxxxxxxxxxx>
Sender: owner-framers@xxxxxxxxx
Those who were kind enough to contribute to the discussion in December might be interested in the outcome. This is a slightly edited (and generalised) version of my recommendation to my client. > I've now had discussions with the compilers of the Chicago Manual of Style > (CMOS), and I've had input from the US Copyright Office (USCO), the > Australian Copyright Law Review Committee (CLRC), and the IP Section of the > Aust Attorney-General's Dept (AGD). [I'm now going to exclude alphabet soup > from my diet for a few days.] Based on those sources plus the Berne > Convention (BC) and Universal Copyright Convention (UCC), I'd be willing to > go to court on the basis of the following: > > 1. BC does not contemplate any formal copyright notice; copyright is > automatic. US, Australia, and all EU countries are signatories to BC, and > their legislation reflects this. Therefore, inclusion or exclusion of a > copyright notice does not affect the validity of copyright itself. However, > it does affect the remedies available in the US courts. (In particular, > inclusion of a notice prevents use of the "innocent infringement" defence, > and increases the damages that might be awarded.) > > 2. USCO appears to prefer the sequence (C) <date> <owner>, whereas UCC and > AGD appear to favour the sequence (C) <owner> <date>. In no case is there > anything explicit about the elements having to be in that order, and I've > seen plenty of examples of both. USCO and UCC simply say the notice must > include the three elements, and list them in different sequence; USCO and > AGD give examples, with the elements in different sequence. > > 3. In the notice, "owner" can be anything allowing clear identification of > the copyright owner; it doesn't have to be the full name of the person or > company. > > 4. AGD also recommend the use of a more extensive statement along the lines > of "This work is copyright. Apart from any use permitted under the > Copyright Act, no part may be reproduced by any process, or any other > exclusive right exercised, without the permission of (name and address of > copyright owner and the year in which the work was made)." This is clearly > not required, as its effect (simply a "Trespassers will be prosecuted" > sign) is achieved by the copyright notice itself; neither BC nor UCC > contemplates such extended notices. I'm also uncomfortable about the term > "exclusive right" just after the second comma; that seems to leave some > doors open. While an extended notice is more explicit and therefore might > have implications for damages in courts outside the US, its effect in that > respect is apparently untested. (USCO doesn't seem interested in anything > more than the basic notice, so it appears that such an extended notice > would not even have this limited effect in US courts.) Footnote: The > recommended extended notice includes "the year...", in a decidedly > ungrammatical way ["...without the permission of Charlie Brown 2002"? Nah.] > That suggests that the recommendation was cobbled in by a well-intentioned > amateur -- I think it's safely ignored. > > 5. Having more than one date in the copyright notice has no effect -- in > fact, for works published outside the US, and for works published in the US > since 1/1/1978, it has no meaning (see 6 below). When a publication is a > derivative work based on an earlier publication, it acquires its own > copyright and should bear the date of its own issue; the date of the > original work is irrelevant. However, we need to be careful about the > distinction between a new (albeit derivative) work and a reissue with > corrections. There's no doubt that a reissue with corrections to > typographical errors (spelling, punctuation, etc) is not a derivative work, > whereas a new edition with an extra chapter is. I'm unable to work out > exactly where the dividing line is -- for example, I don't know what > happens when a reissue includes technical (content) corrections. > > 6. For client's purposes, there is no such thing as "renewal of copyright". > Before 1/1/1978, US copyright law afforded two separate periods of > protection, and each required formal application. Getting protection for > the second period was "renewal". That's no longer relevant, and was never > relevant outside the US. > > In consequence, I recommend the following as a standard for all client > manuals: > > a. Include a copyright notice of the form (C) <owner> <year>, > with no other attempt to be formal about "rights". (Not even "All rights > reserved".) > > b. Include a clear statement of claim to the effect that the product > itself is also covered by copyright or patent. > > c. Include careful acknowledgment of copyright held by others (e.g., > embedded software products). Michael Lewis Brandle Pty Limited, Sydney, Australia PO Box 1373, Macquarie Centre, NSW 2113 67/35-39 Fontenoy Road, Macquarie Park, NSW 2113 http://www.brandle.com.au Tel +61-2-9889-3677 ... Fax +61-2-9889-3688 ** To unsubscribe, send a message to majordomo@omsys.com ** ** with "unsubscribe framers" (no quotes) in the body. **