[Date Prev][Date Next] [Thread Prev][Thread Next]
[Date Index] [Thread Index] [New search]

Re: Workflow



I've used many different sorts of workflow for document authoring and review, with varying degrees of success, and for varying objectives. The ideal workflow, supposing it exists, is not definable without reference to the particular case, and thus varies not only with the context but with the individual document authored or reviewed, not to mention varying with the individual authors or reviewers involved.

As an example, I recently dealt with a scientific MS (originally composed in FM, then butchered into MS Word) returned in PDF after copyediting. The copyeditors' (there were several) questions were included as marginalia in the PDF.

Using Acrobat 7.0 to make the final proofing changes, as well as emendations based on authorial indecisions and answers to the copyeditors' questions, went very well indeed, and I was delighted to have the tool, but I did encounter both of the specific problems mentioned by Dan Emory. For the first (clearly indicating movement of text), it was trivial and usual, however, to mark the deletion where the deletion occurred and the insertion where it occurred (this is the norm for indicating text movement to typesetters). For the second specific problem mentioned by Dan (clearly indicating alterations in graphics), however, the solution was not so straightforward, perhaps because I was not sufficiently familiar with the Acrobat graphics emendation tools mentioned by Amanda. As it happened, I revised the original graphic and attached the revised graphic to the PDF--which failed, because the typesetters (aka in this case publishers) were unable to retrieve the newly attached graphic. I had to resend the graphic separately. Revising and resending (or reattaching) the graphic would not have been feasible, however, without access to the original and familiarity with the tools used for its creation.

A subset of the difficulty with the graphics, however, is not something that could readily be resolved with the graphics annotation tools mentioned by Amanda (even supposing I were sufficiently familiar with them): that subset of the difficulty concerns equation emendations, which are difficult to communicate precisely without the ability to redo and reattach the graphical rendition of the equation. The usual case in a paper workflow would be to handwrite the revised equation in the margin; communicating the specifics of an equation without using a graphical rendition similar to the original can involve convoluted and opaque linguistic constructions that presuppose mathematical expertise, and can easily fail even when those preconditions are met: e.g, "use italic roman capital R with a subscript italic lowercase i stacked below a roman lowercase o followed by a dabba, with the whole construction used as the divisor of ..." and etc.

James Eric Lawson <cire@xxxxxxxxxxxxxxxx>
Senior Computer Specialist, Research Publications Editor
University of Washington, Box 357962, Seattle WA  USA  98195
-------------------------------------------------------------------------
Poetry is a subject as precise as geometry.  -- Gustave Flaubert

** To unsubscribe, send a message to majordomo@xxxxxxxxx **
** with "unsubscribe framers" (no quotes) in the body.   **