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Re: Workflow
I've used many different sorts of workflow for document authoring and
review, with varying degrees of success, and for varying objectives. The
ideal workflow, supposing it exists, is not definable without reference to
the particular case, and thus varies not only with the context but with the
individual document authored or reviewed, not to mention varying with the
individual authors or reviewers involved.
As an example, I recently dealt with a scientific MS (originally composed
in FM, then butchered into MS Word) returned in PDF after copyediting. The
copyeditors' (there were several) questions were included as marginalia in
the PDF.
Using Acrobat 7.0 to make the final proofing changes, as well as
emendations based on authorial indecisions and answers to the copyeditors'
questions, went very well indeed, and I was delighted to have the tool, but
I did encounter both of the specific problems mentioned by Dan Emory. For
the first (clearly indicating movement of text), it was trivial and usual,
however, to mark the deletion where the deletion occurred and the insertion
where it occurred (this is the norm for indicating text movement to
typesetters). For the second specific problem mentioned by Dan (clearly
indicating alterations in graphics), however, the solution was not so
straightforward, perhaps because I was not sufficiently familiar with the
Acrobat graphics emendation tools mentioned by Amanda. As it happened, I
revised the original graphic and attached the revised graphic to the
PDF--which failed, because the typesetters (aka in this case publishers)
were unable to retrieve the newly attached graphic. I had to resend the
graphic separately. Revising and resending (or reattaching) the graphic
would not have been feasible, however, without access to the original and
familiarity with the tools used for its creation.
A subset of the difficulty with the graphics, however, is not something
that could readily be resolved with the graphics annotation tools mentioned
by Amanda (even supposing I were sufficiently familiar with them): that
subset of the difficulty concerns equation emendations, which are difficult
to communicate precisely without the ability to redo and reattach the
graphical rendition of the equation. The usual case in a paper workflow
would be to handwrite the revised equation in the margin; communicating the
specifics of an equation without using a graphical rendition similar to the
original can involve convoluted and opaque linguistic constructions that
presuppose mathematical expertise, and can easily fail even when those
preconditions are met: e.g, "use italic roman capital R with a subscript
italic lowercase i stacked below a roman lowercase o followed by a dabba,
with the whole construction used as the divisor of ..." and etc.
James Eric Lawson <cire@xxxxxxxxxxxxxxxx>
Senior Computer Specialist, Research Publications Editor
University of Washington, Box 357962, Seattle WA USA 98195
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Poetry is a subject as precise as geometry. -- Gustave Flaubert
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